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Nicola Blumenthal, Untitled (detail), Paper and tape, 103 x 94 cm. 2026 REVISED SCHEDULE THURSDAY JUNE 18 OPEN HOURS FROM 1:00 to 3:00

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CURRENT  

Social Society is an exhibition of artworks by Nicola Blumenthal, Hana Earles, Claudia Lemke, Joline Uvman & Nina Zeljković curated by Cammisa Buerhaus.

 

 

UPCOMING

S02-E09 Tony Just

ASAP: Presentation of Cream Psychosis by Mary Walling Blackburn

 

 

 

 

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MISC FILES:

Stooj Report S01_E05

Stooj Report S02_E01

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Eternally Unsolvable Problems in Painting

 

 

Fairs: G8 / G20

 

STOOJ Fine Arts is open Wednesday, Thursday, Friday 14:00-18:00, Saturday 15:00-17:00 and by appointment.

 

STOOJ FINE ARTS: Schillerstraße 6, Berlin 10625.

Use U2 or U12 to UBahn Station Ernst Reuter Platz.

 

Exhibitions can be viewed virtually via Zoom or FaceTime Video upon request.

Please contact the gallery at +49 151 44973688 or email zilm@protonmail.com.

 

 

Season 01 Exhibition Archive

 

S01E01: The Kinetic Mugger

S01E02: Philip Seibel and Mai Braun

S01E03: Michael Corris

S01E04: Crit CHAN

S01E05: Christophe De Rohan Chabot: Aluminum Sign

S01E06: Private screening of A Denunciation of my Painted Pictures

S01E07: Jan Domicz: Towards a Placebo Art

S01_E08: Mark Flood + Konrad Jurko: Paintings

 

Season 02 Exhibition Archive

S02_E01: Amy Granat: 09071127-111

S02_E02: Karol Bagiński, 'The Poorest Kingdom'

S02_E03: Thomas Swinkels, 'Cup Sculptures'

S02_E04: 'The Fortran Muscle' 

S02_E05: Program 23

S02_E06: Mary Walling Blackburn April 06-30

S02_E07: Oshay Green May 01- June 03

 

 

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Andy Warhol’s instant shot of Georgia O’Keeffe and Carl Van Vechten’s print of her testify to that habit … of smelling out the money portrait, taking a picture of an opening, neigh, opportunity. They are trophy shots, made without pleasure in the (myth of) the independent genius crone subject or her deep dive into a doggy core. Warhol and Van Vechten are not scrapbooking; they are transactional. Drag it up on your own cracked screen. I don’t want to look again. She’s a total buck. She could be on a dollar, but I can’t spend her. G O’K goes camping with the Rockefellers in 1961; while visiting her dealer in Fort Worth, G O’K attends the Chow Chow club International National Specialty (1973); clever Warhol produces the G O’K Polaroid in keeping with what he understands about value … no punctum, all studium … which means that AWl corrals us in the doldrums of the image … the boredom of looking at famous artists instead of at good art—the windless doldrums of capitalist genealogies? Is he drolly exposing the beloved crone or just rote-ly dissecting the illusory sentimentality that gilds capitalism? Warhol’s turned the symbolic profile into a GW; persistent … it produces vast capital. Warhol’s G O’K is listed at $27,000.

 

 

 

 

 

 

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       _01 Stooj Fine Arts (translated by Brian Massumi)

 

 

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