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STOOJ JULY 2026

 

15–19 - Opening 15.07 - 18 00 - 21 00:

 

GREY                                                               GROUP

Pedagogical Methodology of Advanced Drawing Practices

 

The exhibition presents DRAWING THESAURUS, an educational program designed and led by Anastasia Ryabova during the winter semester 2025/2026 at UdK Berlin (Studium Generale).

The core of the course is organized around a series of exercises. Their aim is to learn how to deviate from the traps of the contemporary visual industry and its unsuitable politics of images, while also tracking the reconfiguration of the drawer's optics — all the while keeping in mind the reconfiguration of the learning process itself.

GREY GROUP displays materials from preliminary focus groups, the content of each seminar, including practical assignments with student responses. It also contains comments contributed by Nora Ashwood, Marina Pinsky, Yozhy Stolet, Alexander Wolff & others.

FOCUS GROUP Michael Baers, Andrei Belyaev, Sofia Duchovny, Oleg Galkin, Vladimir Kabanov, Elena Martinova, Daria Orlova, Anna Rotaenko, Konstantin Volodarskii.

STUDENTS Charlotte Avenarius, Akim Bakulin, Emma-Marie Broska, Ella Marlene Conzen, Julian Eckert, Nathanael Ben Pablo Elsler, Florian Heinemann, Charlotte Hiltmann, Emil Holthausen, Zifan Jiang, Yutian Jin, Kaiwen Kang, Isabel Kiefer, Daria Kim, Huynh Minh Kha Le, Helene Lorenz, Damla Mutlu, Holly Paynter, Lilli Peters, Damian Rohde, Finn Sauter, Paulina Sepp, Emily Nicole Simba Jacome, Alexandru Spinu, Paula Tritto, Taro Usami, Emma Vollert, Karla Vorkauf, Ella Walker.

The seminar ARE YOU LYU, OR AM I YOU? with artist Illia Todurkin was attended, in addition to the regular participants, by: Niko Angiuli, Artem Bychinsky-Nikitin, Natalya Grinina, Frankie Lo, Alex Mashtaler, Moksha Richards, Odesa Varen, Sasha Yurieva & others.

 

STOOJ FINE ARTS - Schillerstraße 6 - 15–19 July - Opening 15.07 - 18 00 - 21 00

 

 

UPCOMING

S02-E09 Tony Just

ASAP: Presentation of Cream Psychosis by Mary Walling Blackburn

 

 

 

 

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MISC FILES:

Stooj Report S01_E05

Stooj Report S02_E01

Advertisement

'Office Video' OST

Eternally Unsolvable Problems in Painting

Social Society Walkthrough

 

 

Fairs: G8 / G20

 

STOOJ Fine Arts is open Wednesday, Thursday, Friday 14:00-18:00, Saturday 15:00-17:00 and by appointment.

 

STOOJ FINE ARTS: Schillerstraße 6, Berlin 10625.

Use U2 or U12 to UBahn Station Ernst Reuter Platz.

 

Exhibitions can be viewed virtually via Zoom or FaceTime Video upon request.

Please contact the gallery at +49 151 44973688 or email zilm@protonmail.com.

 

 

Season 01 Exhibition Archive

 

S01E01: The Kinetic Mugger

S01E02: Philip Seibel and Mai Braun

S01E03: Michael Corris

S01E04: Crit CHAN

S01E05: Christophe De Rohan Chabot: Aluminum Sign

S01E06: Private screening of A Denunciation of my Painted Pictures

S01E07: Jan Domicz: Towards a Placebo Art

S01_E08: Mark Flood + Konrad Jurko: Paintings

 

Season 02 Exhibition Archive

S02_E01: Amy Granat: 09071127-111

S02_E02: Karol Bagiński, 'The Poorest Kingdom'

S02_E03: Thomas Swinkels, 'Cup Sculptures'

S02_E04: 'The Fortran Muscle' 

S02_E05: Program 23

S02_E06: Mary Walling Blackburn April 06-30 SOON

S02_E07: Oshay Green May 01- June 03 SOON

 

 

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To subscribe to the gallery bulletin please address email to : psychicsysoppsyop@protonmail.com

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: .

Andy Warhol’s instant shot of Georgia O’Keeffe and Carl Van Vechten’s print of her testify to that habit … of smelling out the money portrait, taking a picture of an opening, neigh, opportunity. They are trophy shots, made without pleasure in the (myth of) the independent genius crone subject or her deep dive into a doggy core. Warhol and Van Vechten are not scrapbooking; they are transactional. Drag it up on your own cracked screen. I don’t want to look again. She’s a total buck. She could be on a dollar, but I can’t spend her. G O’K goes camping with the Rockefellers in 1961; while visiting her dealer in Fort Worth, G O’K attends the Chow Chow club International National Specialty (1973); clever Warhol produces the G O’K Polaroid in keeping with what he understands about value … no punctum, all studium … which means that AWl corrals us in the doldrums of the image … the boredom of looking at famous artists instead of at good art—the windless doldrums of capitalist genealogies? Is he drolly exposing the beloved crone or just rote-ly dissecting the illusory sentimentality that gilds capitalism? Warhol’s turned the symbolic profile into a GW; persistent … it produces vast capital. Warhol’s G O’K is listed at $27,000.

 

 

 

 

 

 

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       _01 Translated by Brian Massumi

 

 

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