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STOOGE FINE ARTS / See also: Eugenie Brinkema, The Forms of the Affects and Life Destroying Diagrams 

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Philip Seibel, Gehäuse (new suns), 2024, 104 x 18 x 36 cm, electroplated steel, wax relief 

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Jerry Hunt’s performance setup, Het Apollohuis, Eindhoven, Netherlands, 1988. ZKM | Center for Art and Media, Karlsruhe, Germa and Blank Forms.

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In September 1979, Robin Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film ― the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood's writings from The American Nightmare and nearly everything else he wrote over the years on horror―published in a range of journals and magazines―gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock's Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre's renaissance in the 1970s. Wood's prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood's prolonged attention to classic and contemporary horror films explains much about the genre's meanings and cultural functions.

 

 

 

 

 

 

 

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